
Victoria Museum of Historical Costume
Київ, Україна


Alina Shulha shows a shelving installation that can be rearranged. The object was made in Dnipro, and each of its parts has its own function.
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Alina Shulha shows an industrial series of tableware made from recycled glass. Batches are produced in Dnipro, and each has a slightly different shade.
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Alina Shulha talks about an interior in which old pieces have been given a new life. The project in Dnipro combines restored furniture with new objects.
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Alina Shulha shows how a sketch becomes an object — from paper to model to first sample. The process in the studio in Dnipro has several stages, each shown in photographs.
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The space is open to visitors.
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The joint line is already in the works.
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Ukrainian motifs are at the core.
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The designer took the runway this season.
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Мирослава Лекальна shares ideas for upcoming collections.
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Мирослава Лекальна on the line defining modern fashion.
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Мирослава Лекальна welcomes you for individual fittings.
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Мирослава Лекальна's work has been recognised at a designers' contest.
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The space is open to visitors.
Read more
The joint line is already in the works.
Read more
Ukrainian motifs are at the core.
Read more
The designer took the runway this season.
Read moreWorks ranking · this week

The space is open to visitors.
Read more
The joint line is already in the works.
Read more
Ukrainian motifs are at the core.
Read more
The designer took the runway this season.
Read moreWorks ranking · this week

The space is open to visitors.
Read more
The joint line is already in the works.
Read more
Ukrainian motifs are at the core.
Read more
The designer took the runway this season.
Read moreWorks ranking · this week
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Reflections on the place of textile art in the contemporary art space. How to combine centuries-old traditions with modern forms and ideas.
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Exploring the art of dyeing with natural plant pigments. Oak bark, madder root, chamomile flowers — nature palette is inexhaustible.
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Exploring traditional Ukrainian weaving techniques that we use and preserve. From kilim weaving to merezhka — each technique has its own history.
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Welcome to the contemporary textile art exhibition. 30 works by 12 Ukrainian textile artists. Opening May 1 at 6:00 PM.
Read moreWorks ranking · this week

The space is open to visitors.
Read more
The joint line is already in the works.
Read more
Ukrainian motifs are at the core.
Read more
The designer took the runway this season.
Read moreWorks ranking · this week

Home sewing happened between other tasks — and the museum reproduced exactly that crowding.
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One dress has five matching buttons and a sixth that differs — and not for want of a match.
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Paper patterns were often kept where they were out of the way — which is why they survived.
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The most telling object in the show is a garment made from another garment, with the first still visible.
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Interview with designer
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Masters of jewelry art
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New space opening
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Ukrainian design trends
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The lighting is held at fifty lux — not for atmosphere, but as the limit for textile.
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The inscription on an inner waistband proved to be an order number, not a maker's signature.
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Two pieces are never hung — they lie flat, in storage and in the exhibition alike.
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One exhibit is shown open — not because of damage, but because of the mannequin's size.
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A formal waistcoat with hand embroidery on silk has joined the collection.
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Ostap Kravets spoke on how the cut shaped the silhouette of menswear.
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Ostap Kravets has renewed the lining of a silk-lapel tailcoat while preserving its historical cut.
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A men's silk-nap top hat in its card case has joined the collection.
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